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posts: 8
joined: 9-5-2008
Guys n Ghouls: ** and 1/4* (out of *****)
GnG is a quirky little comic that has an early Tim Burton feel and lots of charm. Amidst a plethora of manga, it manages to do a few things to make it unique, which is always a good thing. It also has some glaring weaknesses - some it seems to be addressing, and some that are only getting worse.
Story: *** and 1/2* Structure: 1/2* (out of *****)
GnG tells the story of several kids (late teens, really) at a summer camp where the 'bad kids' go missing every year. It also follows Hangman Sam, a 'Samhain' (kind of a ghost mixed with a vampire), who is responsible for said disappearances. The creator does a decent job of introducing things, even if the dialogue can be a bit exposition-heavy, and the creativity of the story is engaging, making it a fun read.
For some reason, the story starts with Volume 0 Issue 0 - rather gimmicky in my opinion, and the issues seem to end rather abruptly, with little sense of pacing or structure. The individual pages have a nice flow (for most of the run - more on that, in a minute), but the overall pace is hampered by these sudden, almost arbitrary endings. More than once I was caught off guard to click the next page and find it a cover marking the start of the next issue.
Later in the run, the page size and art style change drastically (I'll get to the art in a bit), and the bigger page size does the creator no favors, losing what rhythm had been clung to in sprawling, over-indulgent pages and layouts. The simple page size and reliable rhythm it built was all the structural cohesion the comic had going. The story also introduces a whole slew of new characters at this point and changes the look of old characters, making it a jumbled mess to sort through. Oh, and does every character really need their own font, now? And what happened to cocoon boy? Plots are dropped and new ones are thrown in. Very confusing.
Art: ** and 1/2* (out of *****)
Where to begin? The beginning, I guess.
The creator uses one style for much of what is currently posted - a somewhat scratchy manga style that is accented by red. It works, the characters are distinctive, expressions are readable, and so on. It is rough, and fairly messy at times, and characters drawn in profile are rather deformed, even for manga. The creator could really use work on profiles. Also, the backgrounds and foregrounds are done with the same line weight, making them hard to decipher at times.
The first change in style comes very abruptly - no warning or even comment from the creator before or after it happens. A more typical manga toning is introduced, the line art elongated, and suddenly certain characters are ethnic. It's all very disorienting trying to figure out who is who again. Right when I settled back in, another un-announced change in style comes with toning being swapped out for full (poorly rendered) color, the pages are bigger and more chaotic, a slew of new characters are thrown out with a new plot, and every character has their own font.
My eyes nearly bled.
Now, to be fair - the last few pages show a solid improvement in the coloring, and if it continues to improve it will be quite decent. There is a lot of potential in the art, but the creator can't seem to decide where they are going with it. It looks like they may have, now. We'll see.
Summary
I really wanted to like this comic - it was charming, amusing and fairly unique. Sudden and drastic changes in the art, and the jarring shift in the direction of the story with heaps of new characters and concepts tossed in over very few pages sucked a lot of the wind out of my sails. It feels like I'm reading a completely different comic, now, and I'm not sure the new comic is as good or interesting as the one I thought I was getting in the beginning.
As someone who has switched styles mid-stream, myself, I find it best to warn the readers when changes are coming - or at least acknowledge that I wasn't eaten by zombies and replaced by a new creative team. It's less jarring, that way.
In the end, a neat concept, interesting early execution and a sudden identity crisis that leaves me far less interested than I was, originally. There are a lot of good things going on, here, but I feel like they're being lost in the search for a new direction when one wasn't needed in the first place.